Showing posts with label Magic News. Show all posts
Showing posts with label Magic News. Show all posts

Friday, February 27, 2026

Jesper Grønkjær Brings Magic—and Smiles—to One of the World’s Most Isolated Nations


 

Dutch magician and adventurer Jesper Grønkjær has built a career on a bold premise: no matter where you go in the world, a smile is universal.

Recently, Grønkjær put that belief to the test with a visit to North Korea—one of the most closed-off countries on Earth. The nation has only recently begun allowing limited tourism again following strict border closures during the COVID-19 pandemic, reopening select areas including its Special Economic Zone.

Grønkjær documented his journey in a video featured on the Freeport Traveler YouTube channel, opening with a powerful idea:

“I’ve spent my life proving one universal truth: a smile is the shortest distance between all people on Earth.”

Performing Under Restrictions

While in North Korea, Grønkjær traveled under close supervision, accompanied by government-appointed guides. Like many visitors to the country, he experienced strict controls on movement and communication throughout his stay.

Despite those limitations, Grønkjær focused on what he does best—connecting with people through magic.

Using colorful balloon animals, red sponge balls, card effects, and even a stuffed ferret as part of his playful act, he performed for both children and adults. His goal wasn’t spectacle—it was human connection.

And it worked.

Video footage from the trip shows genuine laughter and broad smiles from spectators experiencing his magic firsthand.

A Magical Moment During “Day of the Sun”

During his visit, Grønkjær also witnessed North Korea’s annual “Day of the Sun” celebration at Kim Il-Sung Square. Held each April 15, the event marks the birthday of the country’s founding leader and features large public gatherings, performances, and ceremonies.

For Grønkjær, the cultural setting added context to his mission: to see whether wonder could cross even the most rigid boundaries.

A Career Built on Adventure

North Korea is just one stop on Grønkjær’s long list of unconventional performance locations.

Over the past two decades, he has performed for:

  • Indigenous communities in Peru, including descendants of the Inca in the Andes

  • Maasai warriors in Tanzania

  • Orphanages in Uganda

  • Remote regions of Irian Jaya

  • The ice caps of Greenland

  • And even the Las Vegas Strip

These global journeys often become material for his lectures, articles, and Danish television appearances.

When he’s home in Denmark, Grønkjær maintains a demanding performance schedule—appearing more than 225 nights a year at family events, weddings, circuses, and corporate functions.

The Universal Language of Wonder

In a world that often feels divided by politics, geography, and culture, Grønkjær’s work highlights something magicians have long understood: wonder translates.

No matter the language, background, or belief system, the shared experience of astonishment can create a fleeting—but powerful—moment of unity.

Grønkjær’s North Korea performance wasn’t about making a statement. It was about demonstrating that even in tightly controlled environments, joy can still surface.

For working magicians everywhere, it’s a reminder that sometimes the real trick isn’t the method—it’s the human connection.

Kevin Li Goes Viral After Creating Magic for a Vision-Impaired Fan


Professional magician Kevin Li has built a reputation for dazzling audiences with refined sleight of hand, earning praise from celebrities and even industry legends like Penn & Teller.

But according to Li, one of his most meaningful performances wasn’t in front of a sold-out theater. It was for a single spectator who might typically be left out of a visual art form.

In a TikTok video that has since gone viral, Li approaches a vision-impaired man and offers to perform a magic trick. The man politely declines at first, explaining, “I’m blind, so the magic won’t work for me.”

Without hesitation, Li responds, “I really want you to experience the magic right now. So let’s try something.”

Magic You Can Feel

Instead of relying on sight, Li placed a quarter in the man’s hand and guided him through a tactile, imagination-driven experience.

“Imagine this coin is made out of rubber, and it’s getting warmer,” Li instructed.

Moments later, smoke began rising from the man’s clasped hands, drawing gasps from the surrounding crowd.

“Do you feel it warming up?” Li asked.

“It’s warming up!” the man replied, clearly surprised.

Encouraged to imagine the coin growing softer and softer, the spectator finally opened his hands — revealing that the quarter had transformed into a flexible rubber version.

“That’s yours to keep forever,” Li told him.

Li later captioned the video: “There’s always a way to experience magic.”

The Magic Community Responds

The clip quickly gained traction online, with viewers praising Li’s ability to adapt in real time and make magic more inclusive.

One commenter wrote, “The real magic is how quickly you pivoted to make this work for him. Amazing.”

A fellow magician added, “I’ve been doing magic for a long time — this is hands down my favorite thing I’ve seen in the magic community.”

The video also sparked an interesting question from viewers: Are there blind magicians?

Li himself pointed out one of the most respected card technicians in the world — Richard Turner, who has been legally blind since childhood and is widely regarded as one of the greatest card mechanics alive.

In other words, no one has to miss out on magic.

More Than a Trick

Magic is often perceived as a purely visual art form. But at its core, it’s about wonder — and wonder can be created through touch, imagination, and human connection just as powerfully as through sight.

Li’s performance serves as a reminder to performers everywhere: sometimes the strongest magic isn’t the method — it’s the moment.

Turning quarters into rubber is impressive.

Turning hesitation into joy?

That might be the real miracle.

 

From Grumpy Magician to Global Star: The Rise of Piff the Magic Dragon

 

Source: SouthJersey.Media — adapted for Magic News coverage

Have you heard the one about how a slightly cheesy dragon costume transformed a notoriously unpleasant young man into one of the most successful comedy magicians in the world?

That, in essence, is the story of Piff the Magic Dragon, the stage persona of British magician John van der Put, who recently brought his sold-out show to Rivers Casino Philadelphia.

A Spark of Magic

Like many magicians, van der Put discovered magic at a young age. Growing up in London, he first encountered it as a teenager at an outdoor festival resembling a Renaissance fair. A jester demonstrated the classic linking rings, then handed them to the young van der Put—who immediately performed the effect himself.

“I guess I’m magic,” he remembers thinking.

Yet magic didn’t instantly enchant him. While he loved the reaction it created in audiences, he found the mechanics behind the illusions disappointing. Still, he continued performing, motivated by the joy it brought others—even if he admits he wasn’t exactly spreading much joy himself.

Fired… Repeatedly

By his own account, van der Put struggled socially and professionally in his early career.

“I was being fired everywhere,” he has said. “I was too grumpy.”

Booked for weddings and events, he found it difficult to hide his true feelings, often coming across as miserable. The result was a string of lost jobs and stalled momentum—until a last-minute costume decision changed everything.

Enter the Dragon

Borrowing what he describes as a “lizardy, reptile-ish creature” costume owned by his sister, van der Put attended a party dressed as a dragon. The reaction was immediate and overwhelming.

“Everyone said, ‘This is it. You should just do this,’” he recalls.

The costume did more than create laughs—it gave him freedom. Behind the mask, he felt liberated to speak honestly, sarcastically, and humorously, without fear of alienating audiences.

“When you’re in a dragon outfit,” he explains, “you can’t punch down.”

The dragon persona allowed him to exaggerate his natural wit while softening its edge, creating the perfect blend of comedy and magic.

American Breakthrough

While his career gained traction in the U.K., van der Put’s biggest breakthroughs came in the United States. In 2011, he appeared on the first season of Penn & Teller: Fool Us, earning the endorsement and mentorship of Penn & Teller. He is now managed by their longtime manager, Glenn Alai.

His profile rose even higher in 2015 when he became a finalist on America’s Got Talent. Although he didn’t win the competition, that same year he landed a residency at the Flamingo Las Vegas—now entering its 11th year.

Mr. Piffles and an Unusual Decision

Piff’s act is far from a solo performance. He is joined onstage by Jade Simone—his wife and longtime collaborator—and, famously, by Mr. Piffles, the chihuahua who became a central part of the show.

When the original Mr. Piffles passed away in 2024, van der Put made headlines by having the dog cloned. Even Penn Jillette reportedly warned him it was a terrible idea.

“It worked flawlessly,” van der Put says. “So well that we did it again.”

Today, two cloned Piffles appear in the show, dressed in their own dragon-inspired costumes—one of whom appeared in Philadelphia.

What’s Next for the Dragon?

Despite his long-running Las Vegas success, van der Put shows no signs of slowing down. He has hinted at future television projects, a feature film, and even a Broadway musical, though details remain under wraps.

Summing up his career at this stage, he offers a line only a dragon could deliver:

“It’s an interesting time to be a dragon.”

Thursday, February 26, 2026

Epstein Files Reference Well-Known Magicians, Journalist Reports

 

Originally reported by The Irish Times. Rewritten here for Magic News coverage.

Recently released documents related to Jeffrey Epstein have drawn renewed media attention, including references to several figures from the world of magic. The files, made public by the U.S. Department of Justice earlier this month, reveal that Epstein—who was convicted of child sex offenses—had a long-standing interest in magicians and maintained correspondence with some high-profile performers.

According to reporting by Naomi O’Leary of The Irish Times, the documents include emails indicating a years-long relationship between Epstein and David Blaine, as well as records referencing an FBI investigation involving allegations of sexual misconduct against David Copperfield.

O’Leary notes that navigating the released files is challenging. The archive is vast, difficult to search, and organized in a way that makes systematic review time-consuming. Journalists worldwide have only been able to examine a small portion of the total material so far.

In her reporting and subsequent discussion, O’Leary explains that Epstein appeared to have a particular fascination with magicians, consistent with his broader pattern of seeking relationships with influential and high-profile individuals across multiple industries. The emails uncovered suggest continued contact with figures in the entertainment world even after Epstein had served prison time for soliciting sex from minors.

It is important to emphasize that being named or referenced in the Epstein files does not, by itself, indicate wrongdoing. The documents reflect correspondence, contacts, or investigative references and should not be interpreted as proof of criminal behavior.

As more journalists continue to review the extensive archive, additional context and clarification may emerge. For now, the revelations underscore both the scope of Epstein’s network and the complexity of responsibly reporting on material drawn from such a disturbing and incomplete record.


Source Credit:
This article is based on reporting by Naomi O’Leary for The Irish Times. Presented by Bernice Harrison and produced by Suzanne Brennan.

DANCERS for BRAD ROSS: International Star Illusionist Summer Tour - Illusionary Magic Productions


 CASTING for “Brad Ross: International Star Illusionist,” Return to Six Flags Theme Parks – Summer 2026. This will be a touring production with performances in two theme park venues. The Brad Ross Show is a HIGH ENERGY, Celebration of Magic and Wonder, but even more, it’s a way of looking at the world around us. Dazzling choreography, lavish costumes, and the world’s greatest illusions are presented by an award-winning, international star of magic Brad Ross. Dancers are an integral part of the show as they help Brad create the magic on stage, wow audiences with high-energy production numbers, and assist with spectacular illusions. Brad has assembled a collection of astonishing wonders. And through his performance, he’s inspired audiences to look for the magic in our everyday lives. This full-tilt, theatrical grand illusion show offers audiences a fresh look into the world of magic by one of the world’s respected illusionists. ROLES FEMALE DANCERS: 5’-5’5″, petite, slim, fit, strong stage presence, comfortable with various dance styles, and willing to assist with the illusions. Must have a great smile and outgoing personality, as all performers will be interacting with guests. MALE DANCERS: 5’5″–5’11″, slim, fit, athletic, or muscular build, clean-cut looking, strong stage presence, comfortable with various dance styles, and willing to assist with the illusions. Must have a great smile and outgoing personality as all performers will be interacting with guests.


Salary: Starting at $600/ week
CONTACT INFORMATION
COMPANY:Illusionary Magic Productions
DATE POSTED:2/23/2026
WEB SITE:bradross.com/audition/
PHONE:877-322-2723
E-MAIL:info@bradross.com
ADDRESS:PO BOX 236
07076, NJ
Article Source: https://www.broadwayworld.com/job/DANCERS-for-BRAD-ROSSInternational-Star-Illusionist-Summer-Tour-9954

Wednesday, February 25, 2026

Meet Ian Michael Scheller: Art, Resilience, and an Unexpected Journey Into Magic


 Originally published by Stories & Insights — rewritten here with full credit to the original source.

Professional magician Ian Michael Scheller is living proof that creativity rarely follows a straight line. His journey into magic was not planned, linear, or even expected—but when all the pieces finally came together, it made perfect sense.

Raised in central New Jersey by parents who were both art teachers, Scheller was immersed in creativity from an early age. Regular trips to New York City museums exposed him to visual art, performance, and countless artistic perspectives. While he didn’t realize it at the time, those experiences quietly shaped his creative instincts.

“Exposing young people to creativity early on allows their imagination to grow,” Scheller reflects. “I’m glad my parents did that for me.”

From Art, Music, and Film… to Magic

Before magic became his primary medium, Scheller explored nearly every creative avenue available. He pursued visual art, martial arts, and performance, later becoming a recording artist under the name King Famous. He also performed off-Broadway in New York City and created an award-winning experimental film titled LA Allegory.

Despite all of this, something felt incomplete.

That missing piece revealed itself unexpectedly—through his young son.

When his two-year-old ripped open a deck of playing cards and scattered them across the floor, Scheller had a moment of clarity. His grandfather had been a magician in the 1940s, and magic had always been present in his life—yet he had never truly studied it.

“I asked myself, ‘Why haven’t you tried learning magic the way you learned visual art, performing, and music?’ That moment changed everything.”

Scheller auditioned for The Magic Castle and was accepted as a Magician Member on his very first attempt. From there, everything clicked. His background in visual art, martial arts, performance, music, and filmmaking became the perfect foundation for a career in magic.

This journey became the inspiration for his one-act play, My Unexpected Journey Into Magic, which premiered at The Santa Monica Playhouse as part of its annual fringe festival.

A Professional Magician With a Purpose

Today, Ian Michael Scheller is the creator of The Magic House Show, a 45-minute live magic experience performed inside private homes. He also performs strolling magic, close-up magic, and parlor and platform shows for larger audiences.

His client list includes major organizations such as Coca-Cola, JBL/Samsung, and The Gary Sinise Foundation.

But Scheller is quick to point out that being a professional magician is about far more than tricks.

“My job isn’t just performing magic—it’s helping people understand how and where magic fits into their event.”

With years of experience performing and planning events, Scheller works closely with clients to tailor each performance to their specific vision. For him, magic is about creating successful, memorable experiences—not simply fooling an audience.

“I’m not a serious person—but I am serious about magic.”

A Lesson in Resilience (and Cake Timing)

Like many performers, Scheller’s resilience was forged early—sometimes painfully.

Before magic, he worked as a costumed character entertainer for children’s parties, most often portraying a Power Ranger. One booking, however, would become unforgettable.

It was a Barney party.

The oversized, heavy costume limited his movement, muffled his voice, and made even basic communication impossible. To make matters worse, the children had already been served cake before the entertainment began.

What followed was chaos.

As Scheller attempted to regain control of the room, the children grabbed Barney’s tail and ran in circles—dragging him along with them.

“I realized my life was literally spinning out of control inside a Barney costume made of what felt like stitched-together car floor mats.”

The experience was humiliating—but also transformative.

“If there’s one universal rule of parties everywhere, it’s this: serve the cake after the entertainment.”

Though he briefly wanted to quit performing altogether, the experience ultimately made him stronger. Today, the story gets laughs—and serves as a reminder that resilience often comes from surviving the moments you never want to relive.

Creativity Isn’t Optional—It’s Human

Scheller believes one of the biggest misconceptions in society is the idea that some people simply “aren’t creative.”

“If you identify yourself as non-creative, that’s unfortunately a lie.”

He believes creativity is innate, but often conditioned out of people through criticism, unrealistic standards, or discouragement. His advice to aspiring creatives is simple: start small and stop judging the results.

Draw for ten minutes a day. Write a short scene. Dance. Experiment. Create without worrying whether it’s “good enough.”

“Momentum is the key. Study. Learn. Meet people. Go new places. Let it build.”

Looking back, Scheller sees now that magic wasn’t a sudden discovery—it was the culmination of a lifetime of creative training.

“I’ve become something I always was—I just didn’t know what that would be.”


🔗 Contact & Follow Ian Michael Scheller


Original Source Credit:
This article is adapted from an interview originally published by Stories & Insights. All insights and quotations are credited to the original conversation.

Nigerian Magician performs 50 hour magic marathon without repeating a single trick


 

Tuesday, February 24, 2026

Teller Speaks Out Against Proposed Nevada Housing Development


 Legendary magician Teller, one half of the iconic duo Penn & Teller, is among a growing number of Nevada residents pushing back against a proposed housing development that would dramatically reshape a quiet rural area south of Las Vegas.

According to the Las Vegas Review-Journal, the 77-year-old illusionist has voiced strong opposition to plans that would place 99 homes on roughly 19 acres of land in Enterprise, a tranquil enclave known for its open horse trails, wide-open views, and distinctly rural character. The site sits just south of Blue Diamond Road at Tenaya Way, approximately ten miles from the Las Vegas Strip — a world away from neon lights and casino crowds.

For decades, this pocket of Southern Nevada has been regarded as a hidden haven, where horses travel dirt lanes, chickens roam backyards, and families enjoy a slower pace of life. Teller, who has lived in the area for nearly 30 years, described returning home from the Strip as “a refreshment of the spirit.”

That sense of peace, residents argue, is now at risk.

“This will damage us,” Teller told the Review-Journal, expressing concern that the development would permanently alter the character of the neighborhood by increasing traffic and reducing safety on roads traditionally shared by pedestrians, children, and horseback riders.

The proposal, brought before the Clark County Planning Commission, comes from Richmond American Homes and would require zoning changes and new land-use approvals to move forward. While Southern Nevada has experienced rapid growth for decades, this particular area has long been protected by low-density zoning rules that favor half-acre lots and prohibit suburban-style subdivisions.

Residents say this plan represents a scale of development unlike anything they’ve previously seen.

Teller has emphasized that he is not opposed to development in general, but warned that the project could overwhelm local infrastructure. Roads such as Meranto Avenue, long used as horse-friendly routes, would run directly alongside the proposed subdivision, raising concerns about traffic and safety.

Other residents echoed those worries. Bartender Olivia Hillcoat, who has lived in the area since 2018, noted that nearby commercial development — including a Walmart — has not disrupted the neighborhood because traffic does not flow through residential streets. Ninety-plus new homes, she said, would be different.

Retired economics professor Cynthia Parker, who moved to the area in 2021, told the Review-Journal she hopes to preserve what drew her there in the first place: “I like being in a nice, rural area. It’s just peaceful.”

Many residents point to the horses, chickens, older homes, and open space as what gives the neighborhood its identity — something Teller summed up simply by saying that with each new development, “you take away the rural character.”

Born Raymond Joseph Teller in Philadelphia in 1948, Teller legally changed his name as an adult to simply “Teller,” which now appears on his official documents. While he is best known globally for his silent stage persona and groundbreaking magic, his comments highlight a quieter side of the magician — one rooted in community, preservation, and quality of life.

Source: Las Vegas Review-Journal

Morgan Strebler Plans Global Return to the Stage After Career-Ending Nerve Disorder


 Vegas headliner Morgan Strebler is preparing for a dramatic return to live performance following a devastating medical diagnosis that once threatened to end his career entirely.

Born and raised in Sikeston, Missouri, Strebler built an international reputation as a psychological illusionist, headlining for more than a decade at major Las Vegas venues including the Bellagio, Caesars Palace, and the Hard Rock. Known for his intense mind-reading, metal bending, and psychological theater, his career came to an abrupt halt two years ago when he was diagnosed with severe ulnar neuropathy, progressive nerve damage, and Stage 3 muscle atrophy, resulting in a significant loss of dexterity and fine motor control in his hands.

“I went from performing nightly to being told I may never perform again,” Strebler shared. “Magic isn’t just what I do — it’s who I am.”

After consulting multiple surgeons who deemed the case too complex, Strebler sought treatment at the Mayo Clinic, where he underwent major reconstructive nerve surgery earlier this year. The recovery process remains long and uncertain, requiring months of rehabilitation while nerves slowly regenerate.

Despite those challenges, Strebler is now planning an ambitious comeback.

Beginning in Fall 2026 through 2027, he intends to launch a 60-country world tour built around a new theatrical mentalism production titled Between Life and Death. The show is structured in two distinct acts.

The first act, Life, is described as an immersive, audience-driven mentalism experience in which spectators’ thoughts, choices, and personal memories actively influence the outcome of the performance, exploring the unpredictable nature of being alive.

The second act, Death, ventures into far more provocative territory. According to the announcement, Strebler will undergo a tightly controlled dramatic experiment each night in which, under medical supervision, he is said to medically flatline on stage — with no detectable pulse and visible physical changes — before being revived with a defibrillator as part of the show’s narrative. Audience volunteers are involved in verifying the process.

“The show exists because I stood at the edge of losing everything,” Strebler said. “It’s about what it means to lose your identity, fight to get it back, and choose to live anyway.”

Strebler has appeared on numerous television specials and international productions and is widely recognized within the magic community for pushing the boundaries of psychological illusion. He notes that this return is not about recreating his past success, but about building something more personal and honest.

“I didn’t survive this to go back to the old version of myself,” he said. “I survived to build something deeper.”

Additional tour announcements, media appearances, and behind-the-scenes documentary projects are reportedly in development as his recovery continues.

Source: PRLog

Monday, February 23, 2026

Busy Week of Magic Ahead at the House of Magic


 

The House of Magic in Glenside, Pennsylvania continues to solidify its reputation as one of the most unique destinations for live magic in the region, with a packed schedule of performances and special events in the weeks ahead.

This week alone, the venue is presenting five shows, including its first-ever Sunday afternoon performance. Audiences will have the opportunity to experience two shows by the marvelous Francis Menotti. The first takes place Sunday, March 15 at 1:00 PM, followed by a second performance on Wednesday, April 1 (April Fools’ Day) at 1:00 PM, a date that conveniently coincides with school closures in Philadelphia and Montgomery County.

Organizers at the House of Magic note that additional shows are expected to be added throughout the year as demand continues to grow.


Harrison Greenbaum Returns — With an Added Show

Laughter will be front and center when Harrison Greenbaum, widely regarded as one of the funniest magicians performing today, returns on February 27 and 28. Due to overwhelming demand and multiple sellouts, an additional 6:00 PM show has been added.

This special engagement is 18+ only, and audiences are promised an unforgettable night of sharp comedy, brilliant magic, and nonstop laughs — the kind of performance that regularly earns Greenbaum standing ovations.


An Intimate Close-Up Magic First at the Fred Kaps Theater

On March 18 at 8:00 PM, the House of Magic will debut a brand-new close-up magic experience in its 26-seat Fred Kaps Close-Up Theater, marking the first performance ever presented in this intimate space.

The featured performer for this inaugural event is Eric DeCamps, handpicked for the occasion. DeCamps holds a rare distinction: he is one of only two close-up magicians in the last 100 years to receive the Gold Medal from the Society of American Magicians, a testament to his mastery of the art.

The evening begins at 7:00 PM in the Jay Marshall Lounge, where guests are invited to bring their own beverage while enjoying complimentary cheese and crackers. Small groups will then be led on guided tours of Marc’s Magic Museum, a private collection housed within the venue that features remarkable artifacts and memorabilia from magic’s rich history. The night concludes in the Fred Kaps Theater with DeCamps’ close-up show, Just Between Us, designed to be experienced only inches away from the magic.


A Home for Family Magic and Magical History

Located in Glenside, the House of Magic is more than a performance space. It is a dedicated home for classic magic, inspired by vaudeville-era theaters and intimate parlor performances. In addition to its shows, the venue is known for preserving magic history through its museum displays, educational tours, and thoughtfully curated programming for both families and serious magic fans.


Upcoming Family Shows (1:00 PM)

  • Feb 21 – Conrad Cologne

  • Feb 28 – Conrad Cologne

  • Mar 7 – John Shryock

  • Mar 14 – Conrad Cologne

  • Mar 21 – Mike Miller

  • Mar 28 – Matt Stanley

  • Apr 4 – David Merlin

  • Apr 11 – Chris Randall

  • Apr 18 – Mike Miller

  • Apr 25 – Conrad Cologne


For the latest updates, fans are encouraged to follow the House of Magic on Facebook or subscribe to Glenside Local’s “Daily Buzz” newsletter.

As always — be safe, stay warm, and Be Amazed.

Magician Harry Moulding Captivates the Public With Bold Performances on BGT in 2025

 

Magician Harry Moulding captured the hearts of viewers in 2025 with a series of daring, emotional, and unforgettable performances that set him apart from the competition.

Moulding first made a major impression during his audition in Blackpool, where his uncanny prediction abilities left the judges stunned. The performance earned him four unanimous yeses, sending him confidently through to the next stage and immediately positioning him as a standout act.

His momentum continued to build in the semi-finals with one of the most emotional moments of the season. Moulding helped an audience member deliver a surprise marriage proposal to his girlfriend as part of the act — a moment that moved viewers to tears. The performance proved so powerful that KSI hit the gold buzzer, sending Moulding straight through to the final.

For the finale, Moulding raised the stakes even higher. In a pre-recorded segment, he leapt from a plane as part of an elaborate card illusion, blending high-risk spectacle with precise magical execution. The bold performance helped him stand out in a fiercely competitive final.

Moulding ultimately emerged victorious, beating strong competition from The Blackouts, who finished in second place, and Binita Chetry, the 9-year-old acrobat who also impressed audiences throughout the season.

When the voting results were revealed, Moulding secured 21.7% of the public vote, topping a field of ten finalists and cementing his status as one of the most talked-about magicians of the year.

With his unique mix of emotional storytelling, daring stunts, and polished magic, Harry Moulding’s 2025 run proves that modern magic continues to evolve — and captivate audiences in powerful new ways.


Sunday, February 22, 2026

Nothing Up My Sleeve Shimmers with Mystery, Humor, and Heart


 From start to finish, Nothing Up My Sleeve glows with an atmosphere of playful mystery. Like magicians throughout history, Dendy deliberately allows moments of apparent failure to heighten suspense and amplify the difficulty of his illusions. His performance is so convincingly layered that some audience members may genuinely wonder whether these missteps are accidental or carefully scripted — a question that sits squarely at the heart of the show’s exploration of truth, deception, and the space in between.

Audience participation is central to the experience, as it is in any great magic performance. (Those hoping to find themselves onstage would be wise to sit close to the aisle or in the front rows.) When engaging directly with spectators, Dendy demonstrates not only remarkable skill in sleight-of-hand, but also a sharp instinct for stand-up comedy. What becomes immediately clear is that this production exists entirely because of his unique blend of talents. There is no understudy listed — nor could there be. The show rests wholly on his shoulders.

Rather than relying on the large-scale, high-drama illusions often associated with headline magicians, Dendy takes a more intimate approach. There are no assistants being sawn in half here. His relationship with the material is affectionate, humorous, and often self-aware. In one particularly clever moment, he limits an illusion to the perspective of a single audience member onstage, while offering the rest of the house a subtle hint as to what is happening. The unspoken agreement is always present: these are illusions, the methods will remain secret, and everyone is willingly along for the ride.

The show briefly shifts tone with one illusion passed down through the lineage of magicians, tracing its roots back to Harry Houdini. The effect — reminiscent of sword-swallowing in miniature — creates a moment of genuine unease as Dendy appears to endure discomfort before breaking into a reassuring smile. The illusion raises an age-old theatrical question: why are audiences drawn to the illusion of danger or suffering? The answer, as the show gently reminds us, is that catharsis and shared tension have been part of performance since theater began.

Ultimately, what Dendy communicates through both his magic and his personal story is joy — and connection. He makes it clear that magic cannot exist without an audience; it is a partnership built on trust, even when deception is involved. Throughout his life, magic has been his way of reaching across divides, forming bonds, and finding belonging. Beneath the illusions and misdirection lies the truest message of all: magic is about human connection.

Nothing Up My Sleeve is inventive, heartfelt, and deeply engaging — a rare fusion of magic and theater that deserves to be seen before it vanishes.

Running Time: Approximately two hours, including one intermission.

Source: DCTheaterArts.org

Andy Gross on WKYC


 

Thursday, February 19, 2026

The Desolation of Yigal Mesika


 

Magician Wins Star Search Talent Competition on Netflix


 Netflix has brought back the iconic talent competition Star Search with a modern twist, launching a live, nine-episode reboot of the classic 1980s series. The show set out to discover standout performers across multiple disciplines, including singers, dancers, comedians, and magicians, all competing for the top prize.

After four weeks of live performances, celebrity judging, and nationwide fan voting, the competition came down to a dramatic finale — with the winner decided entirely by viewers at home. The judging panel featured an all-star lineup including Jelly Roll, Sarah Michelle Gellar, and Chrissy Teigen, with Anthony Anderson serving as host.

The final vote came down to four impressive finalists: Harry Merlin Piper, Duo Vespertilio, Spud Howard, and Las Vegas magician TJ Salta. In the end, it was Salta who captured the championship — and the $500,000 grand prize.

Salta is known for blending street-style performance with real-time mind reading, creating a fast-paced and modern approach to magic that clearly resonated with audiences at home.

“I was shocked, and I was grateful,” Salta shared in an interview with Tudum. “I want to ride this wave and give people the magic they want. I'm ready to give the world a magic experience. That's my dream. I'm using this win as a first step in that.”

Spoiler alert for those who haven’t watched yet: all episodes are available to stream from the beginning, allowing viewers to experience the full journey of the competition.

With strong viewer engagement and a wide range of talent showcased throughout the season, fans are already asking the big question — will Star Search return for Season 2? Netflix has not yet made an official announcement.

Wednesday, February 18, 2026

Yigal Mesika and Craig Petty - This Is Getting Ridiculous


 

Cosentino Brings World-Class Magic to Griffith



 Australia’s most celebrated illusionist, Cosentino, is set to bring his brand-new live production Tricked – An Evening of Wonder to the Griffith Regional Theatre on Monday, March 9 at 7:30 PM, promising audiences an unforgettable night where reality and fantasy collide.

Known internationally as the International Magician of the Year, Cosentino invites audiences into a mysterious and immersive theatrical experience featuring large-scale stage illusions, astonishing close-up magic, and heart-stopping escape sequences. More than a traditional magic show, Tricked – An Evening of Wonder blends high-energy storytelling with breathtaking feats designed to mesmerize audiences from the opening moment to the final reveal.

The production blurs the line between the impossible and the unbelievable, offering a visually stunning experience suitable for audiences ages 5 and up. Whether you’re a lifelong fan of magic or experiencing live illusion for the first time, this show promises a one-of-a-kind evening of wonder.

Griffith Regional Theatre Manager Margaret Andreazza praised the production, saying the show is “perfect for thrill seekers, families, and anyone who loves live entertainment with a sense of spectacle,” adding that audiences can expect “an extraordinary night at the theatre.”

Griffith Regional Theatre

Tickets are available through the box office or online via the Griffith Regional Theatre website.

Source: Griffith Regional Theatre