Friday, August 7, 2026

Neil Croswell and Ashley Da Silva Dazzle on Penn & Teller: Fool Us


 Canadian illusionist Neil Croswell and his onstage partner Ashley Da Silva brought a fast, stylish and thoroughly modern piece of grand illusion to Penn & Teller: Fool Us.

The performance, featured during the show’s third season, begins with a relatable question: What happens when someone finds the perfect dress but cannot decide which color to buy?

Croswell’s solution is naturally far more magical than a return trip to the store.

With upbeat music driving the action, Ashley moves through an eye-catching series of dress transformations built around the choice between red and blue. The routine combines fashion, movement and large-scale magic into a polished television presentation that requires very little dialogue once the illusion begins.

A Modern Approach to Grand Illusion

Before his performance, Croswell explains that growing up in Toronto helped shape his urban approach to magic. He draws inspiration from music, movies and hip-hop culture, giving his work a noticeably different personality from the traditional image of an illusionist in a tuxedo.

That modern influence is easy to see in this Fool Us performance. Croswell’s casual wardrobe, the energetic soundtrack and the routine’s fashion-centered premise make the illusion feel current while still preserving the mystery and theatrical impact audiences expect from grand illusion.

The magic is not presented as an isolated stunt. It is a complete production number with a clear premise, escalating visual surprises and a strong finish.

Ashley Da Silva Is Essential to the Performance

Ashley Da Silva brings much more to the routine than simply stepping into an illusion.

Her background in classical and contemporary dance helps give the performance its precision, rhythm and elegance. Every movement appears carefully timed to the music, allowing the magical moments to arrive quickly without making the presentation feel rushed.

Croswell and Da Silva also revealed that they were a couple both onstage and away from the spotlight. Croswell shared the charming story of how Ashley first became involved in his magic after discovering an illusion at his home and asking what it did. She tried it, loved the experience and wanted to see more.

That natural chemistry is visible throughout their performance. They operate as a team, with Ashley’s confidence and stage presence contributing just as much to the routine’s success as Croswell’s direction and showmanship.

What Did Penn & Teller Think of Neil Croswell?

Although Neil Croswell and Ashley Da Silva did not fool Penn and Teller, the legendary Las Vegas duo offered meaningful praise for the construction and presentation of their act.

Penn specifically highlighted the fact that the illusion could be presented with visibility from multiple directions. That is a significant accomplishment in grand illusion, where many routines depend heavily on controlling exactly where the audience and cameras are positioned.

Penn also recognized the contemporary touches that Croswell and Da Silva brought to the performance, including the modern wardrobe and the visual use of the different dresses. Their version respected the history of stage illusion while giving it a fresh identity.

Not winning a Fool Us trophy did nothing to diminish the quality of the act. Penn and Teller clearly understood the extensive thought, rehearsal and technical precision required to make the performance look so effortless.

An International Career in Magic

Croswell’s appearance on Penn & Teller: Fool Us was one part of a career that has taken him to audiences around the world.

According to the official Neil Croswell Magic website, Croswell became the youngest performer to win gold at the Canadian Championships of Magic. He later earned another gold medal at the invitation-only Magic of China International Magic Championships.

Croswell and Da Silva have performed across North America, Europe, Asia and Africa. Their television appearances have also included Canada’s Got Talent, Masters of Illusion, Italy’s La Grande Magia and France’s Le Plus Grand Cabaret Du Monde.

Those international appearances make sense when watching this routine. As Croswell says in his introduction, visual magic can communicate with an audience without the performer needing to say a word. The red-and-blue dress illusion is a perfect example of that universal appeal.

Neil Croswell and Ashley Da Silva Make Magic Look Effortless

The best grand illusions do more than leave viewers wondering how something happened. They create a memorable theatrical moment.

Neil Croswell and Ashley Da Silva accomplish exactly that in their Penn & Teller: Fool Us performance. The routine is colorful, energetic and beautifully staged, while their chemistry gives the act a personality beyond the illusion itself.

Even without fooling Penn and Teller, Croswell and Da Silva demonstrated why they have built an international career together. Their appearance is a strong reminder that success on Fool Us is not measured only by winning a trophy. Sometimes the real victory is presenting excellent magic before two legends of the art—and earning their respect.

Thursday, August 6, 2026

The Best Christmas Motto by Duane Laflin


 Now available at www.magiciansmagicshop.com 

Add an uplifting and interactive moment to your holiday performance with The Best Christmas Motto by Duane Laflin.

The performer introduces four colorful angel cards, each representing an angel’s entry in a contest to create the perfect Christmas motto. An audience member makes a seemingly free selection, and the chosen angel is revealed to have the one motto that truly captures the spirit and meaning of Christmas.

This entertaining routine combines colorful visual props, audience participation, storytelling and a heartwarming message of encouragement. Although inspired by the biblical Christmas story, the presentation was designed to work equally well in church programs and traditional family Christmas shows.

The Best Christmas Motto is an excellent choice for:

* Christmas magic shows

* Church and ministry programs

* Holiday family entertainment

* Sunday school and children’s ministry

* School and community Christmas events

* Collectors of Duane Laflin magic

Originally produced by Laflin Magic, this vintage Christmas effect is no longer commonly available and would make a wonderful addition to a working performer’s holiday show or a Duane Laflin collection.

Magical Katrina’s Spy-Themed Magic Show Opens in Los Angeles


 Magician and mentalist Katrina Kroetch is accepting another assignment in Los Angeles—but she continues to insist that it has absolutely nothing to do with espionage.

Kroetch, better known professionally as Magical Katrina, brings her one-woman production I Am Not a Spy. This Is a Magic Show. to the Theatre 68 Arts Complex for two performances on August 7 and 8.

The comedic noir production combines magic, mentalism, audience participation and spy-movie storytelling. It returns to Los Angeles following successful appearances at the Hollywood Fringe Festival and Australia’s Melbourne Magic Festival.

Magical Katrina Returns to Los Angeles

I Am Not a Spy. This Is a Magic Show. will be presented in the Rosalie Theatre at the Theatre 68 Arts Complex in North Hollywood.

Performance details are:

  • Friday, August 7, 2026, at 8:45 p.m.
  • Saturday, August 8, 2026, at 5:15 p.m.
  • Theatre 68 Arts Complex, 5112 Lankershim Boulevard, North Hollywood, California

Ticket information is available through the Theatre 68 Arts Festival.

The two-night engagement gives Los Angeles audiences another opportunity to experience the production after several of its Hollywood Fringe performances sold out earlier this summer.

Magic Meets a Comedic Spy Thriller

The show places magic and mentalism inside a continuing spy narrative rather than presenting a traditional collection of unrelated routines.

Katrina portrays a glamorous femme fatale who may—or may not—be conducting a secret operation. Audience volunteers can find themselves recruited as agents, while suspiciously accurate predictions, classified files and impossible mysteries become part of the story.

The production draws inspiration from the approximately 100 spy movies Kroetch watched while developing the show. Its style blends elements of classic noir, espionage thrillers and absurd comedy with Katrina’s theatrical approach to magic.

According to the Los Angeles production announcement, the one-woman show emphasizes character and narrative while still delivering the visual magic, mentalism and audience interaction expected from a Magical Katrina performance.

Hollywood Fringe Success Leads to Theatre 68

Kroetch premiered the production during the 2026 Hollywood Fringe Festival, presenting seven performances at the Madnani Theater in June.

The show earned enthusiastic responses for its unusual combination of magic, comedy and an ongoing storyline. Several audience reviews specifically praised the way Katrina incorporated the magic into the plot instead of pausing the story to present individual tricks.

The production also received the Take the Stage Award, presented by the Theatre 68 Arts Festival and Theatre 68 Arts Complex. The Hollywood Fringe’s official award announcement named I Am Not a Spy. This Is a Magic Show. as the award’s recipient.

That recognition makes the August engagement especially meaningful. The organization that honored the production at Hollywood Fringe is now bringing it to Theatre 68 for two additional Los Angeles performances.

Magical Katrina Takes the Spy Show to Australia

Following the Hollywood Fringe run, Magical Katrina carried the production to Australia for the Melbourne Magic Festival.

The show played five nights at The Cardini Cabaret from July 7 through July 11. It marked the production’s first international engagement and Katrina’s first appearance at the festival.

The Melbourne Magic Festival promoted Katrina as an international guest from Hollywood and highlighted her combination of theatrical flair, intelligence, mystery and interactive charm.

The Australian run also demonstrated that the show’s spy premise could connect with audiences outside Los Angeles. Espionage movies, mysterious characters and impossible predictions offer a storytelling language that can travel easily between countries.

Who Is Magical Katrina?

Katrina Kroetch has performed magic in more than 20 countries and has appeared on stages and television programs around the world.

Her credits include touring internationally with Champions of Magic and appearing on Penn & Teller: Fool Us, Masters of Illusion and the children’s program Blippi. She also appeared alongside Chappell Roan in the “Red Wine Supernova” music video.

Kroetch has performed at the Academy of Magical Arts’ Magic Castle in Hollywood and is a member of The Magic Circle in London. In addition to performing, she lectures for magicians on both the creative and business sides of professional magic.

Her work is known for combining drama, mystery, comedy and audience interaction. I Am Not a Spy. This Is a Magic Show. brings those different parts of her performing personality together in a single theatrical production.

A Story-Driven Approach to Magic

The return of Magical Katrina’s spy show reflects a growing interest in magic productions built around characters and complete stories.

Instead of treating the show like a playlist of separate tricks, Kroetch has constructed a narrative with a beginning, continuing mission and unexpected turns. The magic supports the character, while the character gives the impossible moments a reason to happen.

That approach gives audiences something to follow beyond the question of how an individual mystery was accomplished. Viewers become part of the adventure and may leave wondering about both the magic and the identity of the woman at the center of the mission.

Los Angeles audiences have only two opportunities to investigate the evidence at Theatre 68.

Katrina Kroetch says she is not a spy. Whether audiences choose to believe her is another matter entirely.

Dozens of Magic Shows Arrive at the 2026 Edinburgh Fringe


 Magic is taking over Edinburgh as an enormous lineup of illusionists, mentalists, card magicians and family entertainers arrives for the 2026 Edinburgh Festival Fringe.

Preview performances began on August 5, ahead of the Fringe’s official August 7 opening. The festival continues through August 31, with the official Edinburgh Fringe website reporting that more than 4,000 shows have now been announced across every performance genre.

Magic once again represents a major part of the program, with shows ranging from intimate card magic and psychological illusion to comedy, robots, science and large-scale family entertainment.

Here are some of the standout magicians appearing at the 2026 Edinburgh Fringe.

Ben Hart Invites Audiences Into The Labyrinth

Fringe favorite Ben Hart returns with a new production titled The Labyrinth.

Described as funny, dark and surreal, the show combines Hart’s distinctive theatrical style with mind reading, impossible magic and reality-bending mysteries. Hart has become one of the Fringe’s most recognizable magicians, regularly attracting large crowds with performances that balance unusual ideas and strong storytelling.

Ben Hart: The Labyrinth plays at the Palais du Variété in Assembly George Square Gardens at 6:20 p.m. View showtimes and tickets through the official Fringe listing.

James Phelan Brings Showman to Edinburgh

James Phelan arrives with Showman, a comedy magic production coming to Edinburgh following a sold-out West End run.

Phelan became widely known after a lottery prediction generated such a reaction that viewers reportedly overwhelmed the BBC switchboard. His new Fringe show promises a mixture of comedy, audience participation, mind reading and seemingly impossible magic.

The production also arrives with a major accomplishment: Phelan became the first magician to sell out a two-week solo engagement at The Magic Circle.

James Phelan: Showman begins at 5:15 p.m. at Underbelly’s Circus Hub on the Meadows. Find performance dates and ticket information here.

Andrew Frost Presents Contemporary Card Magic

Andrew Frost returns with the unusually titled Just Let Me Have This.

The premise finds Frost trying to present an entertaining card magic show while becoming increasingly frustrated by people attempting to determine how his tricks work. The result combines contemporary card magic, comedy and Frost’s understated personality.

Frost has earned praise from several major names in magic, including Derren Brown and David Blaine. His 2025 Fringe appearance also received attention for turning an hour of card magic into an intimate and engaging theatrical experience.

Andrew Frost: Just Let Me Have This plays at the Baby Grand in Pleasance Courtyard at 3:25 p.m. Visit the official show page for dates and tickets.

Mario the Maker Magician Returns With Robots and Magic

One of the most distinctive family performers at the Fringe, Mario the Maker Magician returns to Edinburgh with his combination of handmade robots, original magic and modern slapstick.

Mario has appeared on The Tonight Show Starring Jimmy Fallon, Sesame Street and Universal Kids. He has also toured with David Blaine, who has called him one of the world’s best children’s magicians.

The show is fast-paced, interactive and designed for both children and adults. Its combination of magic, technology and homemade inventions gives families something very different from a traditional magic show.

Mario the Maker Magician plays at McEwan Hall at Underbelly, Bristo Square, beginning at 11 a.m. See the official Fringe listing here.

Kevin Quantum Explores an Invisible Force

Scottish magician and scientist Kevin Quantum returns with Invisible Force, a new show exploring the unseen forces that shape the world.

The production brings together Quantum’s background in science and magic, promising electricity, impossible moments and reality-bending demonstrations. The official description asks audiences to consider what may be the most powerful force in the universe.

Quantum was trained by Penn & Teller and has won the Best Magic award at the Adelaide Fringe. His ability to combine scientific ideas with theatrical magic continues to give his work a unique place in the Fringe lineup.

Kevin Quantum: Invisible Force plays in the Ballroom at Assembly Rooms at 6:45 p.m. Find tickets and dates on the official Fringe website.

Tim Licata Returns With Absolutely Magic 2026

Tim Licata brings a new hour of magic, mind reading and comedy to PBH’s Free Fringe.

The Chicago-born performer has become a familiar figure in Scotland’s magic community and returns with new material created for 2026. Absolutely Magic 2026! promises an approachable and entertaining mixture of impossible magic, audience interaction and mentalism.

The show takes place at Carbon’s Room 2 at 3:45 p.m. and is presented as a free, non-ticketed performance.

View the official listing for Absolutely Magic 2026!

1 Hour of Insane Magic Moves Into a Larger Venue

Cameron Gibson, Elliot Bibby and Luke Osey are returning for their fourth year with 1 Hour of Insane Magic.

Following multiple sellout seasons and a successful appearance at the 2026 Adelaide Fringe, the trio has moved the show into the larger Debating Hall at Teviot. This year’s production promises new illusions, high-energy comedy and plenty of audience participation.

The performers have built the show into one of the Fringe’s most recognizable ensemble magic productions. Its combination of three different magical personalities gives the audience a fast-moving experience rather than a traditional solo performance.

1 Hour of Insane Magic plays at 5:30 p.m., with dates running throughout August. View showtimes and tickets through the official Fringe listing.

Even More Magic at the 2026 Edinburgh Fringe

Those seven productions represent only a portion of this year’s magic lineup.

Other shows include:

  • The Tom Brace Magic Hour
  • The Greatest Magic Show
  • Charlie Caper’s Magical
  • Ava Beaux’s The Witching Hour
  • Chris Dugdale’s 1 Astonishment 2 Many
  • Sean Alexander’s 1 Moment in Time
  • Chris Fleming’s 90s Magic Throwback
  • Adults Only Magic Show
  • Afternoon Comedy and Magic Selection
  • Dave Reubens’ Magic Survival Guide
  • Elliot Bibby’s Abracadada
  • 1 Hour Straitjacket Escape Magic Show

The range demonstrates how broad magic has become at the Fringe. Visitors can choose between family shows, late-night adult productions, free performances, mentalism, comedy magic, card shows and experimental theatrical experiences.

MagicWeek has compiled an extensive guide to magic and magic-related shows at the 2026 Edinburgh Fringe. Visitors can also search current schedules through the official Fringe ticket directory.

With so many different performers appearing across Edinburgh, it would be possible to build an entire Fringe visit around magic alone.

Show schedules, prices and ticket availability may change during the festival, so attendees should confirm current information with the Fringe or individual venue before traveling.

An Ha Lim Delivers a Breathtaking Card Manipulation Spectacle


 Some magicians perform a card trick. An Ha Lim creates an entire stage spectacle with playing cards.

In this remarkable performance, the South Korean magician demonstrates the precision, personality and visual creativity that have made him one of the world’s most celebrated card manipulators.

Playing Cards Become a Full-Stage Illusion

Card manipulation is traditionally performed with very simple ingredients: a magician, a spotlight and playing cards. An Ha Lim takes those familiar elements and pushes them to an extraordinary level.

Cards repeatedly appear at his fingertips, expand into colorful fans and seemingly multiply faster than the audience can count them. Each new production becomes larger and more surprising until the entire stage feels filled with cards.

The speed is impressive, but the performance never feels like a technical demonstration. An Ha Lim gives the act energy, attitude and a strong theatrical personality. His expressions and movements tell the audience exactly where to look while making every appearance feel like a new impossibility.

There is no spoken presentation. The magic is choreographed to music, allowing audiences anywhere in the world to enjoy the act without a language barrier.

An Ha Lim’s Incredible Speed and Precision

One of the most striking qualities of An Ha Lim’s performance is its relentless momentum.

Just when it appears that the sequence must be reaching its conclusion, another group of cards appears. Individual cards become fans, the fans grow larger and the colors continually change.

Every gesture is coordinated with the music. His hands, body movements and facial expressions all contribute to the rhythm of the routine. Even the moments when cards are tossed away become part of the choreography.

That coordination gives the act the feeling of a dance. The cards are not simply props being displayed; they become moving pieces of scenery surrounding the performer.

The result is a routine that feels much larger than the objects being used. An Ha Lim proves that a magician does not need enormous boxes or elaborate stage machinery to create a major visual experience.

Making Card Magic Play for a Large Audience

Playing-card magic is often associated with close-up performances in which spectators gather around a table. An Ha Lim demonstrates how powerful cards can be on a theater stage.

The colorful designs, large fans and continuous motion make the magic easy to appreciate from a distance. Audience members do not need to remember a selected card or follow a complicated story. They can immediately understand the impossibility of what they are witnessing.

That clarity is one of the routine’s greatest strengths. The premise is simple: cards keep appearing where there should not be any cards. An Ha Lim then develops that idea into an escalating visual experience.

For professional performers, the video is also an inspiring example of how staging and personality can elevate a classic branch of magic. The routine has a distinct identity from its opening moments and remains unmistakably An Ha Lim’s throughout.

A World Champion of Card Manipulation

An Ha Lim’s reputation extends far beyond this viral performance.

He received first prize in the Manipulation category at the 2018 FISM World Championship of Magic in Busan, South Korea. FISM is one of the magic industry’s most prestigious international organizations, with its world competition regularly described as the Olympics of magic. 

An Ha Lim has also appeared internationally with The Illusionists, performing under the fitting title of “The Manipulator.” An official engagement listing described him as one of the most original card manipulators working in magic and praised his act as a unique experience rather than simply another card routine. 

His influence was already becoming apparent years before the FISM victory. He was featured on the cover of the August 2010 issue of Genii, one of the magic community’s most respected publications. 

Why An Ha Lim’s Performance Still Stands Out

Many years after the video first began circulating online, the performance remains astonishing.

Its appeal comes from more than speed. An Ha Lim combines precision with confidence, musical timing and an explosive stage presence. He understands how to build each sequence so the audience’s reaction grows along with the routine.

The performance also celebrates the visual beauty of playing cards. Their colors, patterns and movement become part of the show, creating images that remain memorable after the final card has appeared.

Most importantly, An Ha Lim makes a difficult art form look joyful. The audience is invited to enjoy the spectacle instead of worrying about explanations. That is what strong magic should accomplish.

This video captures a world-class performer transforming a deck of cards into something vibrant, theatrical and seemingly limitless. An Ha Lim does not merely demonstrate card manipulation—he turns it into an event.

Christopher Tracy and Jim Leach Turn Penn & Teller Into the Assistants on Fool Us


 Magicians Christopher Tracy and Jim Leach reversed the roles on Penn & Teller: Fool Us, transforming the legendary duo from judges into participants in an entertaining card prediction routine.

The performance came from Season 3 of the hit magic competition and featured Tracy and Leach portraying “Hal and Kellar,” a playful parody of Penn & Teller. The tall magician remained silent while the shorter performer handled the talking—a deliberate reversal that immediately won over the audience.

Penn and Teller Take the Stage

Rather than performing entirely in front of the judges, Tracy and Leach invited Penn Jillette and Teller onto the stage to serve as their assistants.

Penn and Teller were each given part of a deck of playing cards and instructed to shuffle their cards. They then divided their packets into smaller piles before the cards were mixed face-up and face-down.

Throughout the procedure, Tracy emphasized that the deck was becoming increasingly disorganized. The apparent chaos made the prediction waiting inside an envelope seem even more unlikely.

The first revelation jokingly predicted that the cards would be “a mess.” However, that was only the beginning.

The prediction continued with several increasingly specific claims:

  • Exactly 23 cards would be face-down.
  • Exactly 12 of those cards would be red.
  • Every remaining black card would be a spade.

Each prediction proved correct, creating a strong series of escalating reactions from the audience.

A Clever Penn and Teller Parody

The card magic was impressive, but the presentation made the performance especially memorable.

Tracy and Leach had known each other for approximately 25 years by the time they appeared on the program. Their contrasting personalities gave them a natural foundation for parodying magic’s most famous duo.

As Hal and Kellar, they switched Penn and Teller’s familiar roles. Tracy became the talkative partner while Leach played the mysterious silent magician responsible for the prediction.

The performers also filled the routine with references to traditional magicians, misdirection and “the tricky move.” Instead of hiding the supposed secret moment, they openly announced it and turned it into part of the comedy.

Penn later said that he and Teller were flattered by the parody and found it very funny.

Did Christopher Tracy and Jim Leach Fool Penn and Teller?

Christopher Tracy and Jim Leach did not fool Penn & Teller.

During his verdict, Penn offered several coded references involving shuffleboard, the name Simon and the surname Aronson. These clues indicated that he recognized the performance as a presentation of Simon Aronson’s classic card effect Shuffle-Bored.

Penn explained that he had previously worked with a version of the routine, giving him a considerable advantage when attempting to identify the method.

Although the duo did not receive a Fool Us trophy, Penn made it clear that he enjoyed both the magic and the tribute. The appearance ended with Tracy and Leach posing for a photograph alongside the real Penn and Teller.

Why This Fool Us Performance Still Works

This performance is an excellent example of how a familiar piece of card magic can become fresh through character and presentation.

The cards are handled extensively by Penn and Teller, creating a convincing sense that the final arrangement should be unpredictable. The routine then builds through multiple revelations instead of relying on a single prediction.

More importantly, every joke supports the characters. The performers are not simply delivering one-liners between tricks. Their entire presentation is built around being an alternate version of Penn and Teller.

That clear premise makes the act easy to follow, even for viewers who know nothing about the history of the card effect.

Christopher Tracy and Jim Leach on Fool Us

The performance appeared in “Penn and Teller Get Trapped,” the eleventh episode of Penn & Teller: Fool Us Season 3. The episode originally aired on September 9, 2016, and was hosted by Alyson Hannigan.

The clip also preserves the work of Christopher Tracy, the professional name of magician Christopher Camp. Tracy died in September 2021 at the age of 50, making this entertaining television appearance an important part of his recorded legacy.

Tracy and Leach may not have fooled Penn and Teller, but they accomplished something equally valuable: they created a funny, polished and memorable tribute that still holds up years after it first aired.

Upon Which Rock? by Barry Mitchell


 Now available at www.magiciansmagicshop.com 

Bring the story of David and Goliath to life with Upon Which Rock? by Barry Mitchell—a memorable gospel magic routine built around audience participation and a powerful Christian message.

The performer displays five differently colored stones. A spectator freely selects one and matches it with one of five colored envelopes. After the unchosen stones are discussed, the performer reveals the selected stone and delivers an inspiring lesson about how God values our availability, not merely our ability.

Based on 1 Samuel 17:40, this easy-to-follow routine is ideal for church magic shows, vacation Bible school, Sunday school, children’s ministry, Christian family programs and gospel-magic collectors.

The set was originally supplied with:

* Five colored stones

* Five colored envelopes

* Printed revelation cards

* Force bag

* Complete performance routine and instructions

Upon Which Rock? was produced by Dock Haley Gospel Magic Company and Barry Mitchell Products. The effect has since been retired and is increasingly difficult to find.

A practical, audience-tested gospel magic trick with a rock-solid message!

Yarden Shalev Shares His Full Comedy Magic Act From Hollywood’s Magic Castle

 Magician Yarden Shalev has released a complete, unedited performance of his comedy magic act filmed inside the Parlour of Prestidigitation ...